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Friday, April 7, 2023

Create your own resources - FULL COURSE

 

NOW AVAILABLE

TOP HECK HACKS:  How to create your own orchestra resources using google slides.

This will be one of the most beneficial classes you've ever done. Check it out!

https://www.teacherspayteachers.com/Product/Top-Tech-Hacks-How-to-create-your-own-orchestra-resources-FULL-COURSE-9380245



This is a full course with presentation, over one hour of video instructions, and practice assignments for you to learn how to create your own worksheets, assessments, practice drills and more!

No expensive software is required. We will explore Google Slides, Rhythm Randomizer, Sight Reading Factory, and Flat for Education. There are 6 segments in the course, each with an project where you will create your own resource:

1: Basic Settings to turn Slides into a publishing tool

2: Make your own fingerboard worksheet

3: Create your own note-naming worksheet

4: Create your own rhythm assessment

5: Create your own sight reading or note assessment

6: Create your own custom practice assignment

Along the way, I will show you tips and hacks for creating professional-looking content in an efficient way.

You will also receive 9 TEMPLATES to use as ideas or for building blocks in your own creations.

To use the course, click the links on the slides to access video instructions and assignments. Complete it at your own pace by pausing the video and practicing each skill. It takes approximately 2 hours to complete the course. At the end, you can print a certificate of completion for PD credit.

Tuesday, April 4, 2023

Conference Presenter for Orchestra Sessions

 

Maybe I'm weird, but I love presenting.  I have very high standards for my presentations and I strive to make each one relevant, useful, engaging, and inspiring.....never BORING and NO SALES PITCH.  I've presented at many conferences/events including:  National ASTA 2022, National NAfME Conference 2015, 2016, 2017, state conferences in Utah, Delaware, New Mexico, Oklahoma, and district events in a number of locations in the US and beyond.  Email me today to inquire about dates!  I'm already beginning to fill my 2023-24 calendar!

Saturday, April 1, 2023

Re-framing playing tests and assessments


I spent years doing playing tests.  My first year teaching, I did a playing test every single Friday.  It was great!  I taught 4 lessons per week, then on Friday it was like I got a break.  Just sitting down, listening to students play one by one....very chill.  For me, at least.  After a couple years, I started doing playing tests less often.  Once every 2 weeks.  Then once a month.  Now?  Hardly ever.  Some may find that shocking.  How do I grade my students!?  I have a lot of opinions about playing tests, assessments and grading.  I've spent years experimenting, reflecting, and adjusting.  In this post, I will address some of the things I've learned and share reasoning for my recent changes in how I do playing tests.

Each year, my school district has teachers fill out a self-evaluation so we can assess teaching standards and make goals to improve.  There are quite a few questions in the evaluation regarding differentiation and meeting the needs of all students.  I started to make goals to work on this area in my teaching, but was really grappling with how to do it.  Students learn at different paces.  Some need lots of help and extra practice, some seem to excel on their own, some need a challenge, some need simplified materials.  It's a lot to keep track of for any teacher.  It difficult to even know where to start!  I feel a change in how I assess students is helping me meet the needs of individual learners.

I understand that my students learn in different ways.  Some have private lessons, others have help at home, some are only able to practice at school.  I began to wonder:

Do regular playing tests meet the needs of all students?  

Playing tests are great for students who practice regularly.  I noticed that the same 'top' students always perform well on playing tests while the same 'lower-level' students always perform poorly.  Playing test assessments give students a grade.  There are 'A' players, 'B' players. 'C' players.  Rarely did my 'C' players re-take a test to get a better grade.  I began to wonder if students were labeling themselves based on their playing test grades.  Are 'A' students perceived as more talented?  Probably.  Do 'B' students feel like they're not quite as good?  Probably.  Not the culture I wanted for my ensemble.  In a beginning ensemble, there are many skills that are absolutely essential for students to master in order to progress on their instruments.  Playing tests were helping me assess some of those skills, but were not addressing how to help the variety of students who were not yet attaining mastery.

In my ensemble, I want all students to work for mastery.  I fully believe each of my students can achieve to scores and successfully perform required skills on their instruments.  I don't want playing tests to just be about getting a grade.  I want playing tests that will INFORM students in their next steps.  While I believe all students can reach MASTERY on a rubric, I understand that mastery does not begin with mastery.  There might be some set-backs and challenges to overcome.  Differentiation means giving support and time for students to succeed.  Some students will take the long road to mastery, but that is ok.  It is normal for students to reach mastery at different times.  I believe a good assessment should encourage/empower students on their path.


Why do I give playing tests?

I realized I had been giving playing tests as a way to motivate students to practice.  I've mentioned in a previous post...I don't think that works.  Still when I hear a particularly bad-sounding patch of music, I have to suppress my first impulse to say, "We need a playing test!"  After years of giving playing tests, I've noticed the pattern....some practice, some don't (or can't).  Playing tests motivate only a few while others seems to get stuck. 

I no longer schedule playing tests.  That is because I now do assessments very frequently and they don't have to be announced ahead of time.  My assessments serve a different purpose than just giving a grade.  Mastery is a work in progress.  Assessments now help inform my next steps as a teacher and inform students on their path to mastery.

What is the purpose of student assessment?

When you hear the word 'assessment' you might first think of grades.  Yes, students need a grade.  But I feel assessments should do WAY more than just give students a letter grade.  I believe assessments (playing tests) should do the following:

Evaluate:  Students should quickly and easily be able to tell if they meet a specific standard/goal.

Inform: Students should know where they stand and what needs to be done to improve.

Motivate: Students should know that progress and mastery is attainable.

Track:  Students should see their progress.

Most of my assessments now are student/peer graded.  All students get the same grade for completing the assessment.  At the end of the assessment, students should know where they stand.  They write what they will work on next, they make goals, we keep practicing.  Students grade each other honestly because the 'grade' is the same no matter what.  Students help each other because we know it's in the ensemble's best interest for everyone to succeed.  I plan rehearsal strategies and activities to help students master their skills and we assess some more.  Students are able to see real progress.  Progress is motivating.  

Do my assessments benefit students?

I believe my 'old school' playing tests were somewhat beneficial.  Students got a grade and some feedback.  I believe my new assessments and rubrics are way more beneficial because students are taking on the ownership for assessing/knowing what needs to be learned and what needs to be worked on.  I support and help as students work and practice and rehearse.  Students are still getting grades.  They get grades for completing their work.  It allows learners at all levels to progress at their own rate.  I no longer grade playing tests.  Students are assessing themselves and each other. This frees me to focus my time on teaching/planning to meet needs of students.  

What about rubrics?

 I've experimented with various rubrics including a number scale (5-4-3-2-1), and labels (mastery, proficient, needs improvement, intervention required).  Since students are mostly assessing each other and themselves, I've simplified the rubric and I think it's way better!  My favorite part is there is no 'FAIL" or '0" on the rubric.  Instead, the 'lowest' point is labeled as "NOT YET."  This means there is hope.  It means the assessment isn't over.  It means there is still work to be done.  It means the skills are attainable with some more effort and practice.  Students will try again.  I try to make my rubrics short and specific to address the skills required.



Here are a few sample assessments my students completed last week.  After these assessments, some of my students had circled 'ALWAYS,' but at least half realized there was more to work on.  We addressed those challenged during rehearsals and students all improved.  These assessments helped guide rehearsals to address the needs of students.




Thursday, March 30, 2023

Freeze dance rehearsal game for unified bowing


 

This week I wanted my orchestra 2 (2nd year) orchestra students to work on unifying bow strokes.  We watched a performance from TwoSet violin where they played a duet and their bowing very well matched.  Even while playing different parts/notes, their bow strokes were unified: (watch just the first part when they were using full size violins).  We also talked about tone and how to get the most sound from our instruments...no matter the size.


We talked about the importance of unified bow strokes and having everyone use the same amount of bow as well as matching bow placement, weight, speed. etc.  To practice the skill, I selected short one measure rhythms from our concert music.  I then used a YouTube FREEZE dance video to practice each rhythm:



For example, all students should play one note - low A.  They all perform the same rhythm over and over (on low A) using the same bow strokes/same amount of bow until the video says to STOP/FREEZE.  Once frozen, all students check to see if they are in the same part of the bow as everyone else.  I paused the video as everyone froze.  I then demonstrated a new rhythm for the next portion of the freeze dance, so we worked on 6 different rhythms total.

This game worked really well to help students match bowing, be aware of others in the ensemble, and master rhythms from our music.  After playing this game, my students sounded much more unified in their concert music.

Thursday, March 16, 2023

St Patrick's Day in Orchestra

 


I don't normally celebrate St. Patrick's day, but my students have been working so hard to learn their music I feel like it's time for a Friday Fun Day game.  This game can really be modified to be played at any time, but a leprechaun theme makes it a little extra entertaining....you'll see why.  :)

This game takes very little prep work.  I already know the passages of music that have been difficult for students to master.  I created a few slides with note sequences from our concert music, but after those slides, I'll be having students play certain measures from their parts.  Here's how to play!


1. Make a wheel with 'leprechaun dares.'  These are things the teacher or a student volunteer will do IF students are allowed to spin the wheel.  I make wheels at pickerwheel.com.

Here are my leprechaun dares:

  • Skip around the room
  • Open the door and yell "I love Leprechauns!"
  • Dance to some Irish music for 30 seconds.
  • Walk to the office and tell them you've lost your gold.
  • Say something in an Irish accent.
  • Pass out gold coins to stellar students as they play correctly...
  • Direct the orchestra like a leprechaun
  • Try to distract the group as they play. If you see a mistake, you can take their gold coins.
  • Jump up and click your heels together while yelling, "It's an orchestra life for me!".
  • Find a leprechaun friend. Give them a headband to wear for the rest of the day.
  • Pick someone NOT wearing green dance with you. If they do it, give them a green necklace.
  • It's your lucky day! As students play, leave suckers on the seats of students who have great posture/position.

Here's a link to my wheel: https://pickerwheel.com/pw?id=K4j7Z



2. The whole class or a certain section will be called to to play specific measures as chosen by the teacher.  If they play correctly, the wheel can be spun and all can enjoy watching the student volunteer or teacher (as the'leprechaun') do the dare.  If not played correctly, the class will rehearse and fix the measures, but they will not get to spin the wheel.

3.  To make this extra funny, the teacher or the student volunteer can dress up in a costume.  I happen to have this hilarious costume already...

4.  I stopped by Hobby Lobby to buy a few extra props for the game:  Gold coins for the 'leprechaun' to pass out to stellar students, shamrock necklaces to pass out to students NOT wearing green, and festive green headbands for selected students to wear during some of the dares.

Saturday, March 11, 2023

Top Tech Hacks for orchestra teachers - time to sign up!

I just finished teaching Top Tech Hacks for orchestra teachers to learn how to create their own resources/worksheets/assessments and it was AWESOME! Can't wait to do it again. My first class sold out in less than 24 hours. Don't miss out! Here's a link to my next class! https://www.eventbrite.com/e/top-tech-hacks-how-to-create-your-own-orchestra-resources-tickets-582264136707


Saturday, February 25, 2023

Tech Hacks for Orchestra Teachers

 

Click here to enroll!


Have you always wanted to create your own awesome orchestra resources for your students?  I can show you how using Google Slides!  No add-ons, no expensive programs or software required.  (Though I will demonstrate options using Sightreadingfactory.com (free at first, $35 subscription for a year) and Flat for Education (free trial, then $2 per year).  

This course will give you ideas, know-how, and inspiration to create meaningful, relevant classroom materials for your students.  There are 6 segments in the course, each with an project where you will create your own resource:


1: Basic Settings to turn Slides into a powerful publishing tool
2: Make your own fingerboard worksheet
3: Create your own note-naming worksheet
4: Create your own rhythm assessment
5: Create your own sight reading or note assessment
6: Create your own custom practice assignment


CLICK HERE TO ENROLL!


Along the way, I will show you tips and hacks for creating professional-looking content in an efficient manner.


You will also receive FREE TEMPLATES to use as ideas or for building blocks in your own creations.


Only 15 spots open for this first class!  Reserve your space today!  This class is LIVE over Zoom. 

March 11, 8 am MST

https://www.eventbrite.com/e/top-tech-hacks-how-to-create-your-own-orchestra-resources-tickets-550163683387


Monday, February 13, 2023

Beginning Orchestra Valentines Note Reading Game

 

I know this is last minute...but here's a fun activity for Valentines Day for your beginning orchestra!  All you need is a set of 2 dice for every 2 people and some small conversation candy hearts (or other small candy..I'm using smarties).  

Access your free template HERE - Canva editable document

PDF download HERE

Friday, February 3, 2023

Fingerboard Geography Teaching Aid - Free!

 


If you teach in a classroom that has access to a smartboard or projector, here is a free tool for you!  I use this type of visual all the time in my orchestra classes.  I incorporate these slides into my daily lesson plan for students to practice various finger patterns. 

Simply drag and drop the notes/fingerings to the fingerboard.  Use as a teaching tool in your own presentations by screen snipping the graphic or copy/paste into your own google slide.   You can also use a copy of these slides as a template for online student worksheets.  For example, share a slide with students and have them drag and drop the notes for the D major scale.

Get yours FREE HERE!

Saturday, January 28, 2023

No more playing tests?


I've always been against traditional practice cards, but I have been a huge proponent of playing tests for years.  Ever since I first started teaching, I have assigned playing tests.  Some years, I held tests every Friday.  Some years I held a playing test every 2 weeks.  I've done playing tests in class...listening to each students one at a time.  I've done tests where I listen to small groups of students at once.  I've done tests using technology...spent hours listening to recorded playing tests.  Now, after many more years of teaching, I'm done with playing tests.  

What was my purpose of having playing tests?  To motivate students to practice specific music excerpts to make our music sound better.  To make sure students were progressing.  To push students to fix 'issues' in their playing.  To give feedback.  But do playing tests really accomplish all of those goals in an effective and efficient way?  There are many cons to regular playing tests.  1.  Playing tests take up a lot of valuable rehearsal time.  2. Students don't all prepare for playing tests.  Certain students always do well, while others consistently score poorly.  3. What do you do when a student plays poorly on a playing test?  Once they have a grade, it seems the test is over.  Music should be a refining process.  A test is not a final mark in ones playing ability.  I allowed students to retake playing tests, but most did not.  4.  I'll admit it... I hate grading playing tests. 

 

What I do instead...

1. Self Assessments

I want my students to be able to self-reflect on their own playing.  In order in improve, students must be aware of what/how they are playing in order to decide what to fix or change.  Frequent self-assessments promotes student ownership and accountability.  They know what is expected and where they stand.  Self-assessments are quick and take very little class time.

                        Sample:



2. Peer Assessments

Instead of using an entire rehearsal for playing tests, I have students grade each other using very specific rubrics.  We practice using the rubric as a class by having students grade me.  Students listen to each other and circle the scores on the rubric.  I love doing peer assessments because they don't take very much time.  Stand partners actually talk to each other and help each other and I believe it creates a team dynamic.  It helps students realize all are students need to master the skills for our group to succeed.  At the end of the rubric, I ask a few questions:  1.  Do you agree with your stand partner's assessment of your playing?  2.  What did you do well?  3. What do you need to work on?  Do you need help? 

                    Sample:



3.  Guided Practice

When I want students to master a specific challenging passage in our music, I create guided practice sheets.  During class, students spend 15-20 minutes going through the practice sheet.  By the end, students have drastically improved.  After one guided practice assignment, one of my students said, "This is witchcraft!  You should make these sheets more often.  I'm so much better at playing that part now!"

                Samples:




Saturday, January 21, 2023

8 ways to maintain engagement during rehearsals

 


There are times during rehearsals when some sections need to wait while another section receives special help and instruction. Students do need to learn proper rehearsal etiquette and know how to sit quietly with their instruments.  But too many episodes of sitting/not playing can make rehearsals drag on and on.  


Every rehearsal will likely have moments when some students are not playing, however, there are many ways to include all students in the rehearsal process.  Including all students increases engagement, builds a culture of team responsibility, and creates a more immersive rehearsal experience. It also helps with classroom management since students are too busy to begin off-task behaviors.   As often as possible, I find ways to include all students at all times.  Here are some ideas for including all players while rehearsing one section at a time...